Friday, August 12, 2011

Congratulations on buying the Robot Romney Corp 2012

In The New York Times article "‘Corporations Are People,’ Romney Tells Iowa Hecklers Angry Over His Tax Policy", the reporter quotes Romney tossing out a line about raising taxes which draws shouts of "Corporations!" from an audience member. Romney says corporations are people:
“Of course they are,” Mr. Romney said, chuckling slightly. “Everything corporations earn ultimately goes to people. Where do you think it goes?”
The reporter shares analysis:
It was a telling, unscripted moment for Mr. Romney likely to be replayed on YouTube. In an instant, he seemed to humanize himself by pointedly squabbling with the group of hecklers, showing flashes of anger and defying his reputation as a sometimes stilted, unfeeling candidate.
This "stilted, unfeeling" reputation comes from the media. They invented it, the Romney narrative, and they reinforce it. This slight break in that narrative amuses the reporter because he's so much a part of it he can't see that it is only a characterization, and that Romney actually is human.

Here's the article's highlight:
Thursday was Mr. Romney’s most fiery day on the trail this week, even before the hecklers, affiliated with Iowa Citizens for Community Improvement, an organizing group, drew him into several aggressive exchanges. Mr. Romney took the stage with sweat already glistening on his brow and upper lip. The sweat trickled down his cheek as he worked himself into animated rhythm in a 10-minute speech that criticized President Obama.
Worked himself into animated rhythm? Did he oil his machine parts? Maybe get Dorothy and Scarecrow to lock arms for song?

By drawing attention to this supposed anomaly, the article reinforces and emphasizes the prevailing narrative that media generated. The exception seems to prove the rule. This is a much smaller version than the time Hillary Clinton got weepy toward the conclusion of the Democratic Primary in 2008.

The other narratives include Huntsman attempting to stand on his own two legs and Bachmann trying not to act psycho.