Sunday, March 29, 2026

about “All of Us: The Collected Poems” of Raymond Carver

Are poetry collections supposed to be read like a book? Turning pages, reading one poem after another? That is how I read this.

Raymond Carver is known for his short stories and was tagged “the American Chekhov.” In college, I read a little of Carver's work—I know I read “Cathedral,” one of his best-known short stories. I remember very little of what else I read then, but I do remember liking it all. (The subtitle of this pile blog came from Carver’s poem, “The Other Life”; that stayed with me somehow.)

Carver gets up in the morning and writes poems. He was an alcoholic but by age 40 managed to stop drinking and then live what sounds like a happy life. That life, I take it from the poems, consisted of living in comfort along a river, traveling, and fishing, enjoying his wife’s company, and reading a hell of a lot during his non-writing time.

Reading this book of many poems renewed my appreciation. A good poem read on the commute could lend a sense of peace—a remote peace even on a crowded, damp, flatulent bus in which someone two rows ahead talks loudly on the phone, someone across the aisle plays TikTok videos, and someone from the back of the bus walks to the front and stands by the driver in order to get off first, before everyone else, when this peaceful ride finally nudges through traffic and wheels up to some anointed curb.

Notes:
- A couple recurring motifs and techniques in his poems bothered me.
- My quick list of favorite Carver poems from this collection:
  • “Deschutes River”
  • “The Other Life”
  • “Happiness”
  • “Reading”
  • “To Begin With”
(And, of course, “What the Doctor Said” is something.)

Deschutes River

This sky, for instance:
closed, gray,
but it has stopped snowing
so that is something. I am
so cold I cannot bend
my fingers.
Walking down to the river this morning
we surprised a badger
tearing a rabbit.
Badger had a bloody nose,
blood on its snout up to its sharp eyes:
     prowess is not to be confused
     with grace.

Later, eight mallard ducks fly over
without looking down. On the river
Frank Sandmeyer trolls, trolls
for steelhead. He has fished
this river for years
but February is the best month
he says.
Snarled, mittenless,
I handle a maze of nylon.
Far away —
another man is raising my children,
bedding my wife, bedding my wife.
 
The Other Life

Now for the other life. The one
without mistakes.

- LOU LIPSITZ

My wife is in the other half of this mobile home
making a case against me
I can hear her pen scratch, scratch.
Now and then she stops to weep,
then – scratch, scratch.

The frost is going out of the ground.
The man who owns the unit tells me,
Don’t leave your car here.
My wife goes on writing and weeping,
weeping and writing in our new kitchen.
 
Happiness

So early it's still almost dark out.
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.
When I see the boy and his friend
walking up the road
to deliver the newspaper.
They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.
I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.
They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.
Such beauty that for a minute
death and ambition, even love,
doesn't enter into this.
Happiness. It comes on
unexpectedly. And goes beyond, really,
any early morning talk about it.
 

Reading


Every man’s life is a mystery, even as
yours is, and mine. Imagine
a château with a window opening
onto Lake Geneva. There in the window
on warm and sunny days is a man
so engrossed in reading he doesn’t look
up. Or if he does he marks his place
with a finger, raises his eyes, and peers
across the water to Mont Blanc,
and beyond, to Selah, Washington,
where he is with his girl
and getting drunk for the first time.
The last thing he remembers, before
he passes out, is that she spits on him.
He keeps on drinking
and getting spit on for years.
But some people will tell you
that suffering is good for the character.
You’re free to believe anything.
In any case, he goes
back to reading and will not
feel guilty about his mother
drifting in her boat of sadness,
or consider his children
and their troubles that go on and on.
Nor does he intend to think about
the clear-eyed woman he once loved
and her defeat at the hands of eastern religion.
Her grief has no beginning, and no end.
Let anyone in the château, or Selah,
come forward who might claim kin with the man
who sits all day in the window reading,
like a picture of a man reading.
Let the sun come forward.
Let the man himself come forward.
What in Hell can he be reading?
 

To Begin With


He took a room in a port city with a fellow
called Sulieman A. Sulieman and his wife,
an American known only as Bonnie. One thing
he remembered about his stay there
Was how every evening Sulieman rapped
at his own front door before entering.
Saying, “Right, hello. Sulieman here.”
After that, Sulieman taking off his shoes.
Putting pita bread and hummus into his mouth
in the company of his silent wife.
Sometimes there was a piece of chicken
followed by cucumbers and tomatoes.
Then they all watched what passed for TV
in that country. Bonnie sitting in a chair
to herself, raving against the Jews.
At eleven o’clock she would say, “We have to sleep now.”

But once they left their bedroom door open.
And he saw Sulieman make his bed on the floor
beside the big bed where Bonnie lay
and looked down at her husband.
They said something to each other in a foreign language.
Sulieman arranged his shoes by his head.
Bonnie turned off the light, and they slept.
But the man in the room at the back of the house
couldn’t sleep at all. It was as if
he didn’t believe in sleep any longer.
Sleep had been all right, once, in its time.
But it was different now.
 
[Editor note: This is only the first two stanzas of "To Begin With."]
 

Sunday, March 15, 2026

lyrics about Jimmy

Pounds
Silence on the train tracks
Where cousin Jimmy was sitting
His heart full of sorrow
And his head with self-pity
The next train would show
Him the way out of hope

A daughter he loved
But felt himself unfit
No day is enough
So his life gone to shit
The next train would show
Him the way out of hope

Here come that train
Ready and willing
And almost was he
With all the whiskey he's swilling
Train, will you show
Me the way out of hope?

Saturday, March 14, 2026

an item, no. 64

His universe spins in all directions. A morally corrupt and economically unstable people gear up for war. Insanity-medicated average workers plug properly into news and protect fear, paused like a beach horizon—few loving memories broadcast on closed circuit television. The crowd screamed, Sad is the daythey realize this lore she died of and the many things they fear.
 

Friday, March 06, 2026

some note I wrote about a day at work well over a decade ago in another place and another life

Seby walks over here to Jason at least once a day and walks up real fast. The last two or three steps he drags his feet.

DJ got another job. I said to him I half expected the boss to tell him he didn't need two weeks, to go ahead and leave today or tomorrow. But DJ said No, that they only do that for layoffs, and explained to me that the laid-off can be disgruntled. Only he took a long time to explain that.

Seby and Cindi were talking and Cindi said, "We're talking about the bombing in Russia."

We were waiting for a meeting to start and Roy saw a cake in the next room and said "That looks like a good cake" and Doug said "You should go have a piece" and Roy answered "No, I'm trying not to have a piece" and Doug said "That's how you do that—you admire what a fine cake it is."


Friday, February 27, 2026

something about “Heart of Darkness”

I read Heart of Darkness as an undergraduate in college. The class was asked if the book was racist. I have no idea what academia thinks of this question now (I have my suspicions), but I recently reread the book and thought it pretty obvious that it is an indictment of European colonial rule in Africa. And, furthermore, the story told in the novella, published in 1899, is narrated by a third character, sailor Charles Marlow, and this simple storytelling technique distances the author, Joseph Conrad, from the narrator’s views and language.

Marlow’s descriptions of Africans are ugly. They are savages. But the Africans appear ugly and often inhuman because they are being dehumanized. Marlow sees the white European bureaucrats as brutal, and Kurtz is the ultimate company functionary-inflictor. Kurtz was the worst savage of them all, and no doubt.

The story Marlow tells his listeners is about his experience assigned as a steamer captain for a Belgian trading company in Africa. When he sets out, Marlow is advised about Kurtz, an ivory trader working far upriver (probably the Congo River), and the possibility that Kurtz is sick. Kurtz has reportedly "gone native" and is the object of Marlow's expedition. Marlow suffers a hellish journey and discovers the horror of European colonization.

The prose throughout Heart of Darkness is great, although Marlow waxes philosophically during his narration, which can fray the thread.

‘You know I hate, detest, and can’t bear a lie, not because I am straighter than the rest of us, but simply because it appalls me. There is a taint of death, a flavour of mortality in lies—which is exactly what I hate and detest in the world—what I want to forget. It makes me miserable and sick, like biting something rotten would do. Temperament, I suppose. Well, I went near enough to it by letting the young fool there believe anything he liked to imagine as to my influence in Europe. I became in an instant as much of a pretence as the rest of the bewitched pilgrims. This simply because I had a notion it somehow would be of help to that Kurtz whom at the time I did not see—you understand. He was just a word for me. I did not see the man in the name any more than you do. Do you see him? Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream—making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams...’

He was silent for a while.

‘… No, it is impossible, it is impossible to convey the life-sensation of any given epoch of one’s existence,—that which makes its truth, its meaning—its subtle and penetrating essence. It is impossible. We live, as we dream—alone …’

He paused again as if reflecting, then added—

‘Of course in this you fellows see more than I could then. You see me, whom you know …’


Notes:

  • Conrad drew on his own experience working for a Belgian trading company, taking a steamer up the Congo River.
  • Heart of Darkness inspired Francis Ford Coppola's 1979 masterpiece “Apocalypse Now.” That film is might be the better work—the director’s cut, anyway.

Friday, February 20, 2026

(posts) the little speech in Rocky Balboa

Martin, trainer to Mason Dixon, and this speech—
There's always somebody out there. Always. And when that time comes, and you find something standing in front of you, something that ain't running and ain't backing up, and it's hittin' on you and you're too damn tired to breath? You find that situation on you, that's good. Because that's baptism under fire! Oh, you get through that, and you find the only kind of respect that matters in this damn world: self-respect.


 

Friday, February 13, 2026

creative exercise 7J, blending fantasy and reality

I smoked my brand far enough to hide blood. Doc says they will zap me hard, says dying is nothing to be overly concerned about. Just a hard spot all the time. That was the giveaway. Once we dig it out, gravity could cause the remaining mass to collapse back in on itself—that's if you can build the excavating equipment out of material that doesn't melt when you hit the mantle. Even cold, dead Mars has more love and heat than me. I know because I was in the Dollar Store at Federal Plaza in the Grove when a female tried to get my attention for help in finding an item, but I was busy with someone else. Maybe I can help you now, make you mine. Her flame-green eyes traffic drugs and turned-up lips at champagne sidewalk art that says Unity Against. Am I witch doctor? Never study what I say and then think the medication wore off. I basically just flew off the handle again and professed surprise. Halloween kids who run out of money will come to our door dressed as firemen, and I feel good suddenly as from room to room princesses and pumpkins and clowns lie still.