Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Saturday, September 07, 2024

a Borg writing creatively

Borg calculated the angles in math space and fired. The projectiles pierced the clouds and sent religion in a new direction. If Borg angled the phaser right, then Stage Five Boss would fall. Stage Six. Silent philosophy tore the heart, clouds fell to Earth alive. Nothing under the stars but damage disoriented and us counting down night numbers to open eyes in the skies.
 

Friday, January 15, 2016

something about the film "Interstellar"


Ah, the human spirit. Interstellar is cinematic and features a brilliant score composed by Hans Zimmer (video of him below). The film juxtaposes space with Earth, engineers with farmers, and the metaphysical with the physical. Christopher Nolan's film, screenwritten by his brother Jonathan, is a science-fiction journey to the limits of knowledge wherein we see the spiritual world married with the scientific one.



Note:
Budgets reflect priorities. A budget is a moral document.


Saturday, April 18, 2015

about an interplanetary low


This is a test. In a few minutes the siren will trail off and the bullhorn will thank us for participating. Tests, drills: these occur every other day now. Strap on the oxygen mask, help mask others, duck, preferably under something sturdy.

What good will it do? None. Life here will end. Hard to imagine a time not so long ago when we rocketed ourselves to this place in hopes of making a life together.



Friday, October 25, 2013

something about the film "Blade Runner"


1982's "Blade Runner" is a noir-ish, dystopian, science fiction film directed by Ridley Scott and starring Harrison Ford and Rutger Hauer. In 2019 powerful corporations have manufactured genetically engineered organic robots called replicants to do dangerous and menial work on off-world colonies. Replicants are almost indistinguishable from humans, but they are engineered to live short lives--a few years, max.

When some replicants rebel on one of the colonies, they are banned from Earth; any of them discovered back on Earth are hunted down and "retired" by special operatives known as Blade Runners. The film tells the story of a group of recently escaped replicants hiding in Los Angeles, and the veteran Blade Runner, Rick Deckard (Harrison Ford), hired to hunt them down.

The Tyrell Corporation is a major producer of replicants. Their slogan, "More Human Than Human," encapsulates the philosophical, physiological, and moral dilemma posed by the film: What does it mean to be human?

The slogan "More Human Than Human" doesn't merely pitch the advanced abilities of the intelligent, physically gifted replicants. It seems to differentiate and dehumanize replicants. It focuses on their otherness, and encapsulates it in the word more. But is there a difference? Can one human be more human than another?

Roy, played by Rutger Hauer, represents the newest, most advanced model of replicant. As the film's action rises, Roy breaks into the the penthouse occupied by the CEO of the Tyrell Corporation and demands more life from his maker. His manner is sinister, but his needs are all too human. At the end of the film, as his life runs out, Roy, resigned to his inevitable death, delivers a monologue regretting how his memories are about to be lost forever.

The film leads us to conclude that our protagonist, Deckard, is nothing more than a murderer. Does he share this view of himself? In the version of the film with voice-overs, he only refers to himself as a killer.
  

Notes: 
  • The screenplay is loosely based on a Philip K. Dick novel.
  • Drawing distinctions between peoples helps justify killing.