Billed as "The Uncensored Oral History of Punk", Please Kill Me testifies to punk rock's NYC birth in the mid-1970's. The book organizes quotes from a cast of people who were there--participants and witnesses, and these people describe the scene, say who's who, and, of course, talk about the sex and drugs. But noticeably missing in these quotes is elaboration on the rock and roll.There is no date or period anchoring the end of this telling, but the notable event in the final pages is the death of Johnny Thunders, former guitarist of the New York Dolls and, later, The Heartbreakers. These bands--the Dolls, in particular--dominated the genre's salad days. The Stooges (aka, Iggy and The Stooges) and the New York Dolls are the book's favorites, followed by the Ramones and the mostly derided Sex Pistols. The Dead Boys get minor coverage, too. But the deaths of Sid Vicious, Stiv Bators, and, as noted, Johnny Thunders serve as the conclusion to punk's story--at least in this version, even though Bators and Thunders died 10 years after the core of events described in the book.
If you're really into the music of any three of the above-mentioned bands, then Please Kill Me is sweet, truthy gossip. If you're not, then the quotes and people fast grow petty and irrelevant--the narrators sometimes indulge the "more punk than you" pissing contest that strips punk of its cultural relevance by pretending this raw, resilient music that crackles with energy belongs only to them, those self-important members of their own inertly private country club.
