
But, unfortunately, Klosterman too easily gives in to the temptation to sound profound, and the result is a handful of hasty generalizations; a prime example from this book is when he attempts to extrapolate a larger cultural lesson from the decline of 1980's flash-in-the-pan comedian Andrew Dice Clay.* This kind of fallacy is pervasive in the pop culture-centric variety of writing commonly found in sources like The New Yorker, Gawker, and Deadspin among others. Nevertheless, I Wear the Black Hat is an overall agreeable read by an astute observer and talented writer.
Notes:
* There have been so, so many Andrew Dice Clays--performers and artists who seem to suddenly appear but then disappear--that putting any single one of them under a microscope should attract a good measure of skepticism. In the case of the "Diceman," maybe interest in him waned simply because he only had one joke.