Calypso
is one of many David Sedaris books I read last year. The first books I read were assembled
essays and maintained a kind of consistency. But Calypso might have been the most thematic collection. The 21 essays trend toward Sedaris’s family and aging. The book was published in May 2018, and
Sedaris has now reached his 60s.
The
prose, as always, is fresh and funny. Sedaris tells stories (all semi-autobiographical),
and he masterfully balances his thorny wit and criticisms with bits of cottony poignancy.
One
of my favorite parts is in “The Silent Treatment.” Sedaris is telling a story
about how, at some point in his pre-teen years, he supposedly started flushing empty
toilet paper rolls just to be a lil' bastard. His dad, not knowing David was
the cause, would then have to plunge or, failing that, pull the toilet and unclog
the drainpipe by hand. But dad eventually realizes David is the culprit.
“You
are going to reach down into this pipe and pick out that cardboard roll,” my father
said. “Then you are never going to flush anything but toilet paper down this
toilet again.”
As
I backed away, he pounced. Then he
wrestled me to the floor, grabbed my hand, and forced it deep into what
amounted to my family’s asshole.
And
there it was been ever since, sorting through our various shit. It’s like I
froze in that moment: with the same interests as that eleven-year-old boy, the
same maturity level, the same haircut. The same glasses, even.
“Why
Aren’t You Laughing” also hits as Sedaris writes about his mother, who died of cancer in her 60s, and her drinking.
Maybe
ours wasn’t the house I’d have chosen had I been in charge of things. It wasn’t
as clean as I’d have liked. From the outside, it wasn’t remarkable. We had no
view, but still it was the place I held in mind, and proudly, when I thought,
Home. It had been a living organism, but by the time I hit my late twenties, it
was rotting, a dead tooth in a row of seemingly healthy ones. When I was eleven,
my father planted a line of olive bushes in front of the house. They were
waist-high and formed a kind of fence. By the mid-eighties they were so
overgrown that pedestrians had to quit the sidewalk and take to the street
instead. People with trash to drop waited until they reached our yard to drop
it, figuring the high grass would cover whatever beer can or plastic bag of dog
shit they needed to discard. It was like the Adams Family house, which
would have been fine had it still been merry, but it wasn’t anymore. Our mother
became the living ghost that haunted it, gaunt now and rattling ice cubes
instead of chains.
And
then Sedaris writes about his dad, a widower, looking back on his wife’s condition.
“Do
you think it was my fault that she drank?” my father asked not long ago. It’s
the assumption of an amateur, someone who stops after his second vodka tonic
and quits taking his pain medication before the prescription runs out. It’s
almost laughable, this insistence on reason. I think my mother was lonely
without her children—her fan club. But I think she drank because she was an alcoholic.
I
think I was a little stunned by the parts related to his sister Tiffany’s suicide
in 2013.
Note:
Most of these essays were previously published in magazines.