Showing posts with label relationships. Show all posts
Showing posts with label relationships. Show all posts

Friday, July 03, 2026

subpar lyrics

Ever Since
 
Why should I wake up now?
The meaningless call
Why should I put myself through it?
Why does this happen at all?
 
I can’t find the reason
Put feet on the floor anyway
I stand in the humid air
And wish for winter’s say
 
I wished you loved me once again
But those days are gone
I want to see you
But now I must go on
 
How can I?
Maybe I’m in some kind of phase
I’ll think of you too often, even years from now
I’ll know I’m going the wrong way


Saturday, May 30, 2026

something about our boss, Bill

Bill is a soft-spoken man, but his soothing tone and cadence fail to hide the bite of his mind. He is driven, and he’ll drive you. He has power, and his ideas, right or whimsy, come with an official stamp. He arrives early each day, a withdrawn soul always shooing validation farther down the path.

Tuesday, February 03, 2026

about takeoffs and landings

The first hour slips under our wings. The next hour peels paint as it angles us higher and farther from anywhere, locking us out of your homes from 35k feet. We wave through windows, untethered, until, washed up on the rock-strewn shore of our futures, we meet again.


Friday, October 31, 2025

creative writing exercise 7H

A fucked-up 14-year-old skates in the church parking lot and says to you, "This is how we pass the time in the evenings." You feel hard-focus, ready to toss away a talent to organize groups, and walk away, seeing people watch you and whisper in passing, "This is happening constantly."

Her plush old van looks crazy in front of my house even though neighbors know bad. She is high and says she has acid. We are older now. She wants to take me to the playground, and I say, “This is perfect.” Her dad had just said, “I know with me you feel less alone, but now you’re going to have to be on your own.” She told him, “You don’t look sleek. You lack style. You look weak.” Then she tells me, “I know what you need. And where to get it. And what it costs.” She says the night will go up in stoges and to start counting.

Saturday, October 18, 2025

a joke

The police offered to take me to the detox center, but I, of course, refused. Why would I even go? So instead I walked to the library, and this lady followed me. I knew she hated me, so I stayed away from her. She gave me the middle finger from across the street even though I didn't do anything. Later she emailed me a picture of herself having sex with three guys and she wrote a description about it all in the email to me. I did not know what to feel. Then I saw one of the guys in her picture sitting in his Mazda3 in the Safeway parking lot looking at his phone and shouting at it super-hard. We all heard it. She must have sent him one of the pictures with me in it.

 

Saturday, May 17, 2025

about a couple I saw trying to cross the street

The young couple paused at the sunny street corner where three cars had reached a four-way stop. The car ahead of them moved first, followed by the car on the right turning left, crossing their path. The man watched the cars move, one by one, without turning his head, fearing that to look and acknowledge the driver would signal his yielding. Meanwhile, two more cars cued up at the intersection. He feared that the responsible caution he thought he was demonstrating for his date now seemed like slow-witted timidity. The sun pumped overhead and focused its energy on him, squeezing perspiration from his brow, his armpits, from his back. Was I supposed to have stepped off the curb and challenge the cars? 

She stepped off the curb, offered back her hand and a wink, her eyes a squint in the UV light. A haughty little sigh slipped from his dry mouth—the last little gasp from his car-crushed lungs—then he took her hand, gratefully, and wished he would never have to let go.

 

Friday, August 30, 2024

something about Richard Yates’s “Liars in Love”

Yates's superb short-story collection Liars in Love hits many of his best themes: fragile and fraught relationships, co-dependence and emotional distance, dignity and humiliation.
 
My favorite story in this collection is probably "Trying Out for The Race," in which two single mothers and their two children share a house in the suburbs. Elizabeth's daughter Nancy is close in age to Lucy's son, Russell. In one scene, Nancy kids Russel after he throws a tantrum about his mom going out for the evening. Russell, embarrassed, silently compares himself to the boy next door, Harry:

School as yet had produced no real friends for Russell, and he worried about that, but Harry Snyder was the boy next door, and so a casual, loafing kind of friendship had been easy to achieve with him. One day they were intently hunkered down over many tin soldiers in the basement of Harry's house when Mrs. Snyder came to the stairs and called down "Russell, you'll have to go home now. Harry has to come up and get ready because we're all going for a drive to Mount Vernon."

"Aw, Mom, now? You mean now?"

"Certainly, I meant 'now.' Your father wanted to get started an hour ago."

And that was when Harry went into action. In three swift, merciless kicks he sent soldiers flying in all directions, ruining formations that had been all afternoon in the making and he howled and flailed and cried like someone half his age, while Russell looked away in a wincing smile of embarrassment.

"Harry!" Mrs. Snyder called. "Harry, I want you to stop this right now. Do you hear me?"

But he didn't stop until long after she'd come down and led him tragically upstairs; when Russell crept out for home he could still hear the terrible sound of it ringing across the yellow grass.

Even so, there was an important difference. Harry had cried because he wanted his mother to leave him alone; Russell had cried because he didn'tand therein lay the very definition of a mother's boy.

That is so good. I found more perfect prose in "Saying Goodbye to Sally" when Jack, the would-be protagonist, gets sloppy drunk at a party:
Jack did his best to leave the room quickly but kept veering sideways against the near wall; then he decided it might be helpful to use the wall for support and guidance, letting one shoulder slide heavily along it while he gave his whole attention to lifting and placing his feet in the deep champagne-colored carpet. He knew dimly that Ralph had finished at the fireplace, had lurched past him muttering "Come on" and gone away into the hall, leaving him alone in this treacherously unstable but mercifully open room; he could see too that the bright doorway was very near nowonly a few more steps—but his knees had begun to soften and buckle. He thought he could feel his shoulder sliding down the wall, rather than along it; then the tilting yellow carpet came slowly closer until it offered itself up as a logical, necessary surface for his hands, and for the side of his face.
These short stories exhibit all of the American master's gifts.
 
I went on a Yates binge, working my way through his bibliography after years ago having read his masterpiece, Revolutionary Road, as well as The Easter Parade and the posthumous collection, The Collected Short Stories of Richard Yates. I also previously posted about Disturbing the Peace, A Special Providence, and Cold Spring Harbor.
 
Note: Liars in Love was published in 1981; Yates died in 1992.