Last month former Pink Floyd bass player and singer Roger Waters released Is This the Life We Really Want?, his fourth solo effort (not counting his three-act opera, Ça Ira). Unlike the previous three, the new album could almost be mistaken for a lost late Waters-era Pink Floyd album. It is fantastic. Passages and arrangements echo The Dark Side of the Moon, Wish You Were Here, Animals, The Wall, and The Final Cut. But this is not a nostalgia project. Waters' patented simple, impossibly catchy musical and lyrical refrains and singing to his own acoustic guitar-driven tunes provide a framework around which the album often employs traditionally Pink Floyd sounds. (Finding and using those sounds without sounding like a Floyd knockoff should be credited in large part to the accomplished, deft producer, Nigel Godrich.) This album is more Floydian than Pink Floyd's post-Waters-era A Momentary Lapse of Reason. And, yet, Is This the Life We Really Want? is undeniably a Rogers solo effort. His vocal retains its edge, but he is restrained and sounds less emotionally charged than he did singing with Pink Floyd. (Obviously, this can be attributed in part to his having aged.) The perspectives and opinions expressed in the lyrics are more political and more outwardly focused than his Pink Floyd lyrics.
Note: The bass guitar is brilliant on this album.
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