In the movie "Joker," Arthur Fleck ekes out a miserable living as a party clown in Gotham City, 1981. Crime is up, unemployment is up, and poverty is up. Violent events lead Arthur to become a folk hero in a rapidly intensifying class struggle. The movie is an unofficial imagining of the origin story for the Batman villain, the Joker.
The New Yorker published a piece titled “'Joker' Is a Viewing Experience of Rare, Numbing Emptiness,” which says the following:
“Joker” is an intensely racialized movie, a drama awash in racial iconography that is so prevalent in the film, so provocative, and so unexamined as to be bewildering. What it seems to be saying is utterly incoherent, beyond the suggestion that Arthur, who is mentally ill, becomes violent after being assaulted by a group of people of color—and he suffers callous behavior from one black woman, and believes that he’s being ignored by another, and reacts with jubilation at the idea of being a glamorous white star amid a supporting cast of cheerful black laborers. But, unlike the public discourse around the Central Park Five, and unlike the case of Bernhard Goetz, and unlike the world, the discourse in “Joker” and the thought processes of Arthur Fleck are utterly devoid of any racial or social specificity.
I
do not know what this means or how the film would be different if the
racial iconography were more examined or if the movie had more racial or
social specificity. I agree that “Joker” does not reinforce a
politically left-leaning perspective on race, but I do not see how that
makes the movie bad. I think the movie is good.
“Joker” is a sick person’s fantasy about meeting real-world conditions that allow the fantasy to become reality. Arthur thought he was a victim.
I used to think that my life was a tragedy, but now I realize, it's a fucking comedy.He was nice to people, but they responded with indifference or cruelty. He discovered the power of revenge and began leading a class war.
What do you get when you cross a mentally ill loner with a society that abandons him and treats him like trash? You get what you fuckin' deserve!
Arthur's story and dialog gradually allude to a populist and class-oriented politics, which can be manipulated by demagogues and made dangerous. But this movie dwells in the origins of the discontent that allows a populace to accept demagoguery and then turn dangerous and to fascism. Arthur, during a serendipitous turn as a guest on a late-night talk show, asks his celebrity host, Murray:
Have you seen what it's like out there, Murray? Do you ever actually leave the studio? Everybody just yells and screams at each other. Nobody's civil anymore. Nobody thinks what it's like to be the other guy. You think men like Thomas Wayne ever think what it's like to be someone like me? To be somebody but themselves? They don't. They think that we'll just sit there and take it, like good little boys! That we won't werewolf and go wild!
Notes:
- "Joker" was released in 2019, was directed and produced by Todd Phillips, who co-wrote the screenplay with Scott Silver. The film stars Joaquin Phoenix as the Joker.
- I do not know if the concept started out as such, but I drew lines to Trump’s political rise leading into the 2016 election.
- The New Yorker also published a formal review of “Joker,” which was also critical. That review is fine.
- "All I Have Are Negative Thoughts."
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