Saturday, September 28, 2024

and puts a positive spin on some HC album


Those Left Standing square up with the world on "Almere City Hardcore"

Hardcore punk band Those Left Standing come out from Almere swinging.

The press release for the new album says, "Coming from Almere, they face prejudice and feel like outcasts, but they are resolute in representing the Almere City hardcore reality, embracing their role as outcasts among outcasts."

The place must have some reputation.

Almere is a planned city in the Amsterdam Metropolitan Area. It's not even 50 years old. But the Amsterdam of today began over 850 years ago on a continent where people have been loving and fighting and holding grudges for a few thousand years.

But in 2024, Those Left Standing voice a new grudge in volume and attitude on "Almere City Hardcore."

The album sounds solid as the band switches between hardcore punk and 90s-influenced metal. Super-tight drumming competes with incessant in-your-face-asshole vocals.

So what's the story with Almere? I asked vocalist Dennis Jansen, aka DeeJay, about the city and how these outcasts make new sounds in an old world.
 
D: I enjoyed listening to the new album, "Almere City Hardcore." This is my first exposure to Those Left Standing and Almere. Thank you for taking the time to answer my questions.

DeeJay: Thank you for interviewing us, and good to hear that you enjoyed the album—we’re really proud of it!

D: When I listen to the album, I think of NYC hardcore band Biohazard. Who influences Those Left Standing, and what is the band listening to now?

DeeJay: First of all, very cool that you're thinking of Biohazard. I remember getting that orange CD tray version of the "State of the World Address" album for my birthday back in the day. I played it right away 'coz I thought Biohazard was awesome. It still is, by the way. NYC Hardcore like Madball and Biohazard are definitely a major influence on our sound. So that's a real compliment for us right there. Backfire! is an important one as well.

On the question—well, we listen to quite a diverse range of bands and styles.

For me, I gotta confess that my CD collection and playlists contain a lot of 90s, early 00s hip-hop and hardcore.

As for the other guys: our bass player Jeff is really into grindcore like Napalm Death and more extreme metal stuff; drummer G listens to, for example, Kublai Khan TX but also Devin Townsend and more punk-oriented bands; guitar player Laurens has a slightly more metallic background in taste—DevilDriver, Lamb Of God, Gojira—but also hardcore bands like Hatebreed and Terror.


D: Your hardcore sound is traditional. What role does tradition and influence play when you write and record a song?

DeeJay: We don't necessarily think about these things when we're writing our songs. We play hardcore 'coz we love the style, the intensity, the rawness of it. And, yeah, we grew up with and listen to a lot of bands, which I guess tends to rub off on you—ha! But it's not by design. We really just write and play whatever we think sounds awesome enough.

For recording the album, we obviously used modern recording techniques, but everything you hear was played by ourselves. Our first demo we recorded playing live together in different rooms, which was a lot of fun.

But for the album we wanted a more controlled process. So we recorded drums in the studio first with WD (DoubleYouD Productions), then all the guitars and bass at home. Then we did vocals at our friend Dick's (Rausbaum) house; he has a home studio. Finally, we re-amped all the guitars at the studio and let WD work his magic in the mix.

It was a long process, but, to be honest, we're really happy with the sound of the album. Turned out great! So, not really traditional, but still man-made, I would say.


D: A lot of hardcore punk bands express pride in where they're from, like they want to represent it. Those Left Standing sounds like it has a complicated relationship with Almere. Describe Almere and what it means to you. And please describe what it means to title the album after Almere.

DeeJay: Almere is a relatively young city. Which we saw grow from nothing as we grew up here ourselves. A place where people say there is no history or culture yet. But that’s not true. It's here 'coz we are making that history and culture ourselves. But, yeah, there are growing pains you have to endure. And it's not always easy, I'll give you that.

As a band, if we made R&B instead of hardcore, we might be more well known. But that's not what we are about.

And through the years, we’ve had the support of a diehard group here that sticks tight and is proud of Almere and its alternative band scene. As are we. And that’s what we want to show with "Almere City Hardcore."

To our A-town people, but also to the rest of The Netherlands, that we got something going on here! Something we are proud to reprezent.


D: What's important to you politically, socially, or personally?

DeeJay: Personally, wow, I guess that we get out of life what we can. And that is a challenge on its own. Life can be unforgiving, unfair, and overwhelming. You gotta find a way to keep going, find a good place, pick your battles, let yourself be heard, and enjoy the small victories.

Our triumphs, as they—even for that one moment—make it worthwhile.

And for what it's worth, I think that we should start respecting each other more. There is so much division nowadays. As we point out in the song "Split" on the album. And it's all amplified by the sides involved who are just out there yelling crap at each other and rallying anybody they can find for ... for what, really?

Come on people, don't fuck this up.


Friday, September 20, 2024

a draft of my all-time favorite albums list—a list that constantly changes but includes constants

Top-Tier All-Time Favorite 10 Albums"
"The Wall" by Pink Floyd
"The Dark Side of the Moon" by Pink Floyd
"Reign in Blood" by Slayer
"Aja" by Steely Dan
"For Emma, Forever Ago" by Bon Iver
"Jane Doe" by Converge
"Calculating Infinity" by The Dillinger Escape Plan
"Metamodern Sounds in Country Music" by Sturgill Simpson
"Pet Sounds" by The Beach Boys
"Badmotorfinger" by Soundgarden

Second-Tier All-Time Favorite 10 Albums
"Sadness Will Prevail" by Today is the Day
"A Sailor's Guide to Earth" by Sturgill Simpson
"Appetite for Destruction" by Guns n’ Roses
"Grip It! On That Other Level" by Geto Boys
"Picture This" by Do or Die
"Blizzard of Ozz" by Ozzy Osbourne
"Malady" by Malady
"Seasons in the Abyss" by Slayer
"The Satellite Years" by Hopesfall
"The City of Caterpillar" by The City of Caterpillar

Honorable Mention
"Roots" by Sepultura
"Weezer" by Weezer
"Dirt" by Alice In Chains
"Above" by Mad Season
"The Bends" by Radiohead

 
 
Note: With endless caveats and prefaces about how I appreciate and care about the important bands, like the Beatles and Black Sabbath.
 

Saturday, September 14, 2024

a review of a punk and noise rock band from Oslo


Daufødt throws a thousand pounds of "Glitter"
 
"Glitter" opens with a hard-driving bastard of a song. It's Daufødt's demand to be reckoned with.

The Oslo band plays punk with a noise rock sound—walloping drums, full power-chord guitars, and raw vocals forced out from deep inside.

The album is Daufødt's third. The promotional material describes it as more radio-friendly than the first two.

Of the new songs, "Jeg vil bare hjem" tries hardest to make friends. Listen below. Simple, repetitive chords and a swinging backbeat bring out the attitude that sometimes goes missing from the vocals on this album.

But the song I like is "Skjelvet." The bass, propelled by drums, chews through the dense, dark future while the guitar rings out watchful notes like a lantern casting shadows. The vocal smears glittery mud along the path in case we need to turn around.

The young band takes a grim view of the future and says, "When everything goes to hell, at least you can have a good soundtrack."

We will each reckon with the future in our own way.


The album is set to be released September 20 on Fysisk Format Records.
 

Saturday, September 07, 2024

a Borg writing creatively

Borg calculated the angles in math space and fired. The projectiles pierced the clouds and sent religion in a new direction. If Borg angled the phaser right, then Stage Five Boss would fall. Stage Six. Silent philosophy tore the heart, clouds fell to Earth alive. Nothing under the stars but damage disoriented and us counting down night numbers to open eyes in the skies.