In the ensuing slump of days, moments and presence and details surrendered into the more easily categorizable "day" and "night"; one was for sleeping, the other, not sleeping. Pitifully, if only those two categories kissed in the permanent dusk of hopelessness, he could listen to Emo, maybe even enjoy it. But so relentlessly nameless were the times that nothing could be done.
Not until months later did he think to even look for her. When he did, he went about it craftily but efficiently, only looking in the most unlikely places: in the passenger seat, in the picture frame on his desk, and, early in the morning, lying next to him. Torture, a few days of this. Then he stopped and, on a sheet of wide ruled paper, wrote:
Today I listened to a song that not long ago reminded me of you. I hadn't heard it in awhile and, having come across it again, I feel now its connected not so much with you as with a time, a time that sounds ancient somehow, so I waited for dust to fill my nose.But nothing else came to mind. So he folded the page, spelled her name on the front, and, with the magnet bearing the number for Poison Control, pinned the note on the refrigerator.
Then I tried to think of an analogy: "You, your memory, is gum on my shoe: sticky at first, then less so, and then altogether less and less noticeable." But that sounded stupid and insulting and ugly--nothing like you. I know there is nothing like you. And I'll never not ever think of you again. I will think of you often at times, I expect. But now finally I'm getting on, I guess. Or,
On the first of the month--16 days later--he restocked the refrigerator with fresh citrus and greens and a 12-pack of grape soda. Pushing closed the appliance door, he removed the note, walked to the study filing cabinet, and tucked the page away in the folder with his priciest receipts.
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