Bel-Ami, by Guy de Maupassant, is a great read. It is about a young man, Georges, a merciless social climber in Paris circa 1885 (the year of the book's publication). Early in the book, Georges sets his sights on Madeleine, the crafty wife of his supervisor, Forestier. Forestier grows deathly ill, and Georges comes to support Madeleine in the final hours before her husband's death. Moments after Forestier dies, Georges asks Madeleine to join him out on the balcony; there, he makes his move.
"I
want you to listen to what I'm going to say and try to understand me.
Above all, don't be angry if I talk about such things at a moment like
this, but I shall be leaving the day after tomorrow, and when you come
back to Paris, it may perhaps be too late. So here goes. As you know,
I'm only a poor devil with no money at all who's still making his way.
But I've got determination, I think some intelligence, and I've made a
start—a good start. With a successful man, you know what you're getting;
with someone just beginning, you never know where he'll finish up. That
may be a bad thing or it may be a good thing. Anyway, I told you one
day in your home that my dearest dream would have been to marry a wife
like you. And I want to say that again now. Don't try to answer me. Let
me go on. I'm not making you a proposal. That would be an odious thing
to do at this time and place. I'm only anxious that you shouldn't fail
to know that a word from you can make me a happy man, that you can make
me either your friend, your brother if you like, or else even your
husband, as you will—that my heart and whole body are all yours. I don't
want you to answer me now; I don't want to talk about it any more,
here. When we meet again in Paris, you'll let me know what you've
decided. Until then, not a word. You agree?"
He had spoken without looking at her, as if he were scattering the words in the darkness in front of him. And she seemed not to have heard him as she, too, stood motionless, staring vaguely ahead at the vast landscape under the pale light of the moon.
For many minutes they remained side by side, elbow to elbow, thinking in silence. Then she murmured: "It's a little cold," and, turning round, went back to the bed. He followed her.
As he came near, he recognized that Forestier really was beginning to smell and he moved his chair away because he would not have been unable to stand the stench for long.
He had spoken without looking at her, as if he were scattering the words in the darkness in front of him. And she seemed not to have heard him as she, too, stood motionless, staring vaguely ahead at the vast landscape under the pale light of the moon.
For many minutes they remained side by side, elbow to elbow, thinking in silence. Then she murmured: "It's a little cold," and, turning round, went back to the bed. He followed her.
As he came near, he recognized that Forestier really was beginning to smell and he moved his chair away because he would not have been unable to stand the stench for long.
That scene made an impression on me. Georges is motivated by a ravenous hunger for status, but his relationships with powerful women are complicated by his feeling of real affection toward them. That affection is never better expressed in Bel-Ami than in this scene. But the timing is obviously horrific and undermines the connection the reader wants to feel with Georges.
Note: Georges does not experience change or get redeemed. That adds to the book's novelty.
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