The New Yorker published "Without Fans, the Drama of the US Open Came from Within," a great piece, right after the 2020 US Open; the commentary includes this passage:
There were moments when I asked myself what this was all for. So much effort, and such high stakes, for what? The tournament was taking place against the backdrop of tremendous unrest in the United States—the unfathomable spread of a lethal disease, continuing protests against racial injustice, profound civic distrust, and soaring unemployment. What is the U.S. Open when it is sealed off from New York? What does a championship signify, if some of the top contenders don’t come? What does it mean if fans aren’t there to ratify it? What’s the value of sport right now?
Some of those questions are unanswerable, but not all. In most respects, the U.S. Open was a success. It happened safely. Two deserving champions were crowned. The quality of the play was, for the most part, remarkably good. And, by the end, something strange was happening, at least for me: the event seemed to become more meaningful, not less, for being so stripped away.
The New Yorker piece details the men's championship match—the final match of the tournament, the match perspective played the net and won.
I remember agreeing that this match became more meaningful for me than most previous US Open championships.
I had wondered, when the tournament decided to carry on without fans, whether the 2020 results would have an asterisk in people’s memory. Because of how it played out, it doesn't.
Tennis players are not supposed to get coaching or have any communication with the people in their player’s box; the player is out there alone, fighting himself and his opponent, often buoyed or rejected—especially in big matches on big stages—by the crowd. In this match, the isolation, the loneliness, was heightened to an extreme, and I really felt for them, felt the struggle, felt empathy.
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