Teaching the controversy

We have two theories being proposed to addressed unemployment.

The first is Job Creationism. This theory holds that a motivated elite creates jobs: low taxes motivate the elite to start businesses that will need employees. Jobs come from above.

The second is Job Evolution. This theory says that when conditions are right and the raw materials are there, jobs come: invest in education, infrastructure, and environment-friendly technologies, and jobs will emerge and evolve from within.

Radiolab doesn't prepare to conduct an interview

Recently, the annoying folks at Radiolab intended to investigate a phenomenon called "Yellow Rain", an apparently dangerous, mysterious precipitation observed in Vietnam and Laos circa 1981. At the time, the deadly rain attracted some media coverage while cold war tensions escalated between Russia and the US.

The producers and hosts apparently intended to limit the scope of the episode to the question, What was yellow rain? But during the show, the interview between a yellow rain witness, his translator/niece, and the Radiolab host and producer falls apart when the host pursues the witness about ambiguity in the testimony. After being pressed, the witness losses heart and, aided by his niece, implores the interviewers to focus on the death of their people in the proxy wars, and not the yellow rain.

From the get go, Radiolab was oblivious to fact that the story they were investigating was situated in an ongoing struggle with deep political implications. It was only when the witnesses were crying and pleading for recognition of the tragedy within the story that the "story changed" for Radiolab. Host Jad Abumrad explains:

We were all really troubled by that interview. We talked about it for weeks, and we had arguments about it for weeks. What does it mean for the story? What does it mean for us personally?

For the story, and for Radiolab: this is what concerns them. The vision of the show's hosts and producer got even more myopic in the end, somehow. Then the "conversation" ends with Radiolab essentially throwing up its hands at the controversy.

Inconsequential

People who follow politics and political coverage often criticize the media for not explicating policy proposals and instead focusing on polls and swing states. Such critics see the media as too focused on distractions. Now, following Tuesday's Presidential debate, an online public hears Romney's "binders full of women" comment and amplifies it, silencing other discussions for a day or so.

Maybe the "binders full of women" is sort of amusing, and within that amusement is the sense that some things are odd about Romney. Some things are, but nothing evidenced in his comment is revelatory unless you've never thought about who Mitt Romney is beyond his brand, "successful businessman".

The larger discourse on women voters and women's issues seems far more revealing about what we're like, and how we perceive ourselves and those around us. Women are sort of treated as a political g-spot in need of some serious finessing. This gender-oriented political discourse seems to say that a candidate needs to understand and address things women "care about" without appearing to stereotype women or lock them in the home. This CNN article on Romney's women-talk during the debate cites a political science professor voicing such a concern:

"His discussion of work-life balance appeared condescending to some because of the reference to women cooking dinner."

So the candidate must embrace gender difference but frame his embrace in terms of equality. Maybe most or all political discourse aimed at a specific segment of the voting public includes some version of outlining that segment, then erasing those lines, of conjuring their image, then making them disappear, but women are a good, current example of this, I think. The finessing and specific, pointed targeting of women leaves an impression that women are both foreign and essential to political discourse. A political writer in The New Yorker touched on all this when addressing political ads aimed at "women voters":

... that ad, like every ad targeted to women voters for the last half century, including those made by both campaigns this election season, assumes that women are wholly different species of citizen than men. The political imagination of American women, at least according to American political advertisers, begins with our cervixes and ends at the kitchen door.

Notes:

• The "binders full of women" meme nearly obscured the best bit of political gamesmanship by anybody of either party in years: Obama's "Proceed, Governor".

• Embracing gender difference while seeking equality is sort of similar to how feminist theory works in academia, I'd say, from my very limited experience with it.

This is a nice, closed circle

I think up answers to questions no one will ever ask me. And I ask questions of myself I will never answer.

A working class hero is something to be

The Onion has a lot of fun portraying Joe Biden as a free spirit whose working class roots and uncensored attitude clash comically with peoples' concept of groomed, self-preserving politicians. The political right casts him as an idiot, and mainstream media coverage comments on his penchant for "gaffes", but The Onion writers heroize Biden through their satire.

The Onion writers (and, by extension, members of their audience) who love Biden value in him a rebellious streak, his individuality, and his "authenticity" or sincerity, all of which is located in his being uncensored (Biden says what Biden thinks when Biden wants). The justification behind this reverence, however, lies in his being powerful and famous. Ordinarily, The Onion would mock disdainfully a blue collar, working class white who might wash his Trans Am shirtless in the driveway or resort to hitchhiking for transportation. Such a character would be portrayed as too dumb to know which party to vote for or what music to listen to or shows to watch on TV. His wife might even enter their white trash daughter in a child beauty pageant.

Notes:

• Biden, of course, is more competent and astute than one might think after reading about him, and The Onion writers and their audience knows this, which is why the satire works in two ways: it taps into (1) our concept of politicians and (2) our experience with press coverage of Biden.

A shade

Those eyes, which were already surrounded by tiny wrinkles, had begun to betray a worn-out man of doubtful morals, a duplicity, an ever-increasing irony and another shade of feeling, which was new: a shade of sadness and of pain—a sort of absent-minded sadness as though about nothing in particular and yet acute.

    --from Fyodor Dostoevsky's short story, "The Eternal Husband"

Glitzy craps all over the dinner table

The TV show "Here Comes Honey Boo Boo" strings together footage of a lower-class family in the Southern state of Georgia, US. These are rednecks and white trash. The youngest daughter, a frequent child beauty pageant contestant, and her the mother are the center of attention; altogether, the family shown on TV is devoid of manners nearly to the point of being uncivilized. I've only watched maybe 10 minutes of this show but enjoy reading the internet/news articles about it, which are mostly negative. The negativity is partly snobbery but, more so, I think it's evidence of the dominant truth-making discourses in the culture.

The main criticisms run along the following lines:

• The family is being exploited (which underscores the lack of opportunity in this country)

• The show rewards bad behavior (such as laziness, poor health, and having kids by multiple fathers starting at a young age)

• The show ridicules the family (and, by extension, people like them)

The exploitation claim provokes an interesting debate, but it first assumes the other critiques are valid. The other criticisms--I've seen many variants of them--spur from the public assumption and promotion of medical, psychological, and economic discourses that generate knowledge about life. The criticism is drawn from that knowledge: the family's steady diet of junk food will sicken them, reduce their quality and quantity of life, and ultimately create costs to be absorbed by the rest of the population; the sudden fame and the emphasis on pageantry, the patriarchal confusion, and the laissez-faire parenting will prove emotionally crippling. All this might bear out for various reasons, but the widespread condemnation of the show for these reasons shows the power of these discourses in our culture. Society assumes these discourses and polices itself with their truths. It says, "Do not reward this behavior! Society must be defended!"

Notes:

1. Critics who've defended the show use the same discourses, saying the family's emotional health is OK because they are in on the joke and seem like they are happy and have decent familial relationships, etc.

2. Other critics have derided the show's quality, slamming it because it appeals to the lowest common denominator. This judgement, when pursued to its ends, justifies itself in the same discourses.

3. A show, especially one on a cable channel like TLC, doesn't need that many viewers to be a "hit". The standards for calling a show a hit have plummeted the last 20 years.

4. One well-written critique is this one from the AV Club, of which the highlight for me is the following:

We’re meant to laugh at the poor manners that Alana and her sister Pumpkin exhibit when an etiquette teacher comes to help make them more ladylike. It’s not the pair failing to transform into princesses after one session that is depressing. It’s that the show presents even the very idea of them being able to reach a point at which not farting at the table is even possible as a totally improbable idea.

Ah, the coup d'etat of the family's dignity. Now, turn that around: when we train a monkey to roller-skate, we're meant to laugh at the monkey on roller-skates. There's no joke when the animal is untrainable. But, when these girls shrug off attempts to train them in formal behavior, it's a disgrace. (And AV Club comments suck.)

5. The author of the Gawker article, "The Perfect Level of Fame", makes the case that the show and celebrity attached haven't seem to hurt the family, at least. But what gives this piece distinction is the following comment from maryannmom:

• Wow. This is a really long article. I started with the first couple paragraphs, then started skimming, then scrolled to see how much more there was, then read the comments, which were disappointing. So I guess I never will no exactly what the Honey BooBoo phenomenon is, but then this cultural stuff is so depressing, it is starting to make me feel kinda unibomberish, in that hide-yourself-in-a-cabin-without-electricity-kind of way. Feel me?

Some of this person's other comments on Gawker articles:

• Am I evil for hating on those Pinkett-Smiths? And being super annoyed by their tiny starlet baby fake rapper kids?

• I agree. The pressure! You must have to have a thick skin to take all those second guesses and negative opinions and comments. I loved this dress for being feminine. pretty and sexy and showed off her beautiful shoulders and arms. (girl crush!). Yeah, it blows that a guy just gets a suit and is done, but then that is why women are so much cooler. I just saw the Democratic women of the Senate at the DNC and it as great that they had a variety of outfits, sizes, hair and make up. Vive la difference (of style)!

6. These articles from Reality Blurred and Hollywood Reporter say the show isn't funny while making fun of the family the show is about. The Hollywood Reporter article has the line, "Glitzy craps all over the dinner table".