Saturday, February 28, 2015
about "A Land More Kind Than Home" by Wiley Cash
Wiley Cash might know the kinds of people he writes about in his debut novel, A Land More Kind Than Home, but the voices of his first-person narrators sound affected. To channel small-town North Carolina folk, Wiley carpet bombs the narration's sixth grade-level speech with double negatives and other idiomatic devices. This impression, omnipresent from the outset, hampered my enjoying the read. Beyond that, the action is largely predictable and the characters flat. Three voices narrate the plot: a young boy, an old woman, and a late middle-aged sheriff.
A fundamentalist, snake-handling minister is the villain; the protagonists are individually overmatched against him. But together the confluence of choices people make leave the villain dead and the fallen redeemed. A Land More Kind Than Home isn't a bad book, necessarily. It's just immature.
Labels:
A Land More Kind Than Home,
book review,
conflict,
criticism,
ethos,
fiction,
idiom,
idiomatic,
language,
narration,
North Carolina,
rhetoric,
voice,
Wiley Cash
Saturday, February 21, 2015
Saturday, February 14, 2015
from "I Never sang For My Father"
Death ends a life. But it does not end a relationship, which struggles on in the survivor's mind toward some resolution which it may never find.
Friday, February 06, 2015
about how every song is a ballad
"Punk rock should mean freedom: liking and excepting anything that you like, playing whatever you want, as sloppy as you want, as long as it's good and it has passion."
-Kurt Cobain
Labels:
Ballad of Circling Vultures,
guitar,
hardcore,
Kurt Cobain,
music,
musicianship,
Nirvana,
page ninety-nine,
passion,
pg. 99,
producing,
production,
punk,
Rock,
taste
Subscribe to:
Posts (Atom)