something about "Letterman: The Last Giant of Late Night," by Jason Zinoman

David Letterman remains one of my favorite people ever on TV. So I read with great pleasure Letterman: The Last Giant of Late Night, by Jason Zinoman. Blurbs describe this effort as the definitive work on Letterman—and for good reason. A lot of research, thought, and care went into this account. I found myself remembering Letterman moments I had forgotten or not fully appreciated at the time. Like when the show returned from the night's first commercial break and the camera moved to Letterman as he pulled out a corded phone and dialed. Whatever happened next was good television. Letterman's guest interviews always promised a chance for the unexpected—an unscripted, awkward moment between the host and guest and the camera cutting to an uncomfortable older couple shifting in their seats in the audience.

Directors, writers, producers, and network executives are all accounted for here. Throughout this cohesive, substantive, fluid narrative, Zinoman offers his own judgements on aspects of Letterman's show and character. While I did not always agree with those judgements, they are always reasoned and offered in good faith. This was a very rewarding and enjoyable read.

Note: Zinoman writes comedy criticism for The New York Times.
 

Something on "The Late Shift: Letterman, Leno, & the Network Battle for the Night" by Bill Carter

In the early 1990's, late night television is owned by NBC's staple "The Tonight Show" starring Johnny Carson. But as the much-revered host neared his 30th year, the program's static offerings and rapidly aging audience sent murmurs of discontent through NBC's corporate offices. Carson, for whatever reasons, offered no resistance and abruptly announced his retirement just ahead of his anniversary season. Meanwhile, Jay Leno, with his unmatched work ethic and consistent performance, rose from leader of the new generation of stand-up comedians to frequent guest host of "The Tonight Show". And David Letterman, with wits and an innate and cultivated gift for entertaining, earned his way to hosting a late show that aired after Carson. In The Late Shift, Bill Carter details--and I mean details--the personalities and the drama, decision-making, and the consequences surrounding "The Tonight Show" hosting change of 1992.

Carter seems to respect Leno, but it's Letterman he admires as a talent. Leno comes off as a nice but also very repressed, complicated guy who excels at stand-up and had a pit bull for a manager. Letterman sounds like an under-appreciated star who's also stubborn, fickle, and plagued by self-doubt.

I mostly enjoyed The Late Shift, though the first half is better than the last. This story includes a lot of characters and the audit of who said and thought what can be exhausting.