Saturday, January 30, 2016

something about "What It Takes: The Way to the White House," by Richard Ben Cramer


What It Takes is a fascinating look into an American presidential campaign season.

Author Richard Ben Cramer was a journalist at The Philadelphia Inquirer, The Baltimore Sun, Esquire, and Rolling Stone. But What It Takes: The Way to the White House, the document of the 1988 presidential election, is his nadir. Here, we learn how George Bush collects contacts; how Dukakis masters state politics but flies too close to the sun; how Bob Dole tirelessly meets and greets everyone; how Joe Biden morphs into a salesman; how Gary Hart studies, and how his studiousness lifts his political career. Cramer also covers the decline of these political animals--most dramatically, the psychology and the mind-spinning that leads to Biden's plagiarism and Hart's infidelity.
 

Cramer delivers breathless, compelling coverage as he follows the action and tries to get inside the head of each candidate.

My favorite part comes early, when Cramer peers a little deeper into the Bush family operation. When Barbara Bush learns Oliver North, stained by the Iran-Contra scandal, will attend the Christmas party, she cringes. But, to George Bush's mind,

Ollie was a guy he knew, he'd worked with...The point was, that was all politics. Bush couldn't let it change the way he was. They were friends. Shouldn't be shunned...

The funny thing was, everybody heard Bush use that word, "friend," a hundred times a day, but they never could see what it meant to him.

By what extravagance of need and will did a man try to make thirty thousand friends?

By what steely discipline did he strive to keep them--with notes, cards, letters, gifts, invitations, visits, calls, and silent kindnesses, hundreds every week, every one demanding some measure of his energy and attention?

And by what catholicity (or absence) of taste could he think well of every one of them?

He could not.

But they would never know that.
The funny thing was, the friendship depended not on what Bush thought of them, but what they thought of him, or what he wanted them to think. If they thought well of him, then, they were friends.

So what does it take? Whatever it takes.



Note:
  • I could only read a bite at a time, and since the book exceeds 1,000 pages, this read took a while.
 

Saturday, January 23, 2016

the lyrics to Ozzy Osbourne's "Tonight"



Now I'm back out on the street again
It never rains unless it pours
Try to get back on my feet again
I hear the raging thunder as it roars

Tonight, tonight
Is it just a rhapsody
Or am I right?
Tonight, tonight
Is it all a mystery?
I just can't fight no more

I hear the questions surface in my mind
Of my mistakes that I have made
Times and places I have left behind
And am I ever gonna make the grade?

Tonight, tonight
Is it just a rhapsody
Or am I right?
Tonight, tonight
Is it all a mystery?
I just can't fight no more
As I beat my head against the wall
Running 'round in circles in vain
I'm feeling three-foot tall
You don't understand
I'm fading away

Don't want your pity or your sympathy
It isn't gonna prove a thing to me
Good intentions pave the way to hell
Don't you worry when you hear me sing

Tonight, tonight
Is it just a rhapsody
Or am I right?
Tonight, tonight
Is it all a mystery?
I just can't fight

Notes:

Song credits Daisley, Kerslake, Osbourne, and Rhoads. From the great album "Diary of a Madman."

Friday, January 15, 2016

something about the film "Interstellar"


Ah, the human spirit. Interstellar is cinematic and features a brilliant score composed by Hans Zimmer (video of him below). The film juxtaposes space with Earth, engineers with farmers, and the metaphysical with the physical. Christopher Nolan's film, screenwritten by his brother Jonathan, is a science-fiction journey to the limits of knowledge wherein we see the spiritual world married with the scientific one.



Note:
Budgets reflect priorities. A budget is a moral document.


Friday, January 01, 2016

something about "Dangling Man" by Saul Bellow

 
Our Dangling Man keeps a journal in which he agonizes over the gaps between his past and present selves. His encounters with people sound largely antagonistic.

The voice of the journal belongs to Joseph, a young man living in Chicago. At this moment in his life, Joseph is unemployed, and
1942 America is at war. Joseph's voice captures truths that are universal (or, at least national), temporal, and personal. Frustration over his compulsion to drill and drill himself for value taint Joseph's reflections. Although determined to unleash these thoughts, Joseph is an unwilling participant in a culture that increasingly casts every self in the lead role.

At the time of his writings, Joseph, Canadian by birth, has been waiting for word on his acceptance into the American army during World War II. He surrenders his personal freedom to end this suffering. He closes his journal with the words,

Hurray for regular hours!
And for the supervision of the spirit!
Long live regimentation!

Notes:
Dangling Man, written in 1944, is Saul Bellow's first published work. I thought
Dangling Man had interesting moments, but I did not enjoy reading it.