something about the film "American Beauty"

American Beauty is a confused but rich film.

The film's narrator and main character is Lester Burnham. Lester begins the film feeling like there is no place for him: he is unnecessary at work and irrelevant and home. But Lester, a reliable narrator, breaks free. He quits his job, blackmails his boss, and secures a cushy severance package. Then he takes a minimum-wage job with little responsibility and buys his dream car. He devotes his recreational time to smoking pot and working out. Lester asks, What do I have to lose?

Lester's compliment in the film is a neighborhood high schooler, Ricky Fitts. Ricky is a successful dealer of expensive high-end pot (Lester becomes a customer). Through interactions with peers and the adults who supposedly run the world, we learn that Ricky transcends common insecurities. Ricky taps into a life force and finds spirituality in his appreciation of "real" beauty.

Lester's foil is his wife, Carolyn--an ambitious but frustrated real estate agent. She values possessions. She crafts and frets over her image. She covets professional success. She is not happy about Lester's reckless disregard for the "normal" path. She has grown too much concerned with projecting the image of well being, and she forgot how to be well. 

Ricky's foil is his father, Col. Frank Fitts, USMC (retired). Colonel Fitts is a hardline and hard-nosed disciplinarian. He is also a bigot and closeted homosexual. He cannot accept being gay because that is not what he thinks a man is supposed to be. His wife is trapped in a world of interiority. She is scared of falling short of her husband's expectations, thereby making him angry. In one scene, she reflexively apologizes to a house guest for the home's appearance even though the place is immaculate.

Subtext Analysis

The Colonel represents structure, rules, and discipline. Disdain for rules and for being normal are themes in American Beauty. However, this disregard is the driving force behind the commercial market. Are Lester and Ricky heroes? Each of their ego indulgences causes destruction. What are they rebelling against? Being normal.

The film ends up promoting traditional values. Lester first rebels from the trappings of suburban American normalcy and lives to indulge his own ego. But then he chooses traditional values, seeking the warm, blissful familiarity of his family in his final moments.

(posts) the new American Gothic

Calling

He'd spent most of the past eight years in this confessional. The last to repent before him, some poor woman who carried the stench of congealed sausage fat smeared on brown paper, had trailed away from this cozy, curtained sanctuary months ago. The smell, an hour later. Actually, he was glad. For, you see, he could no longer answer the call of a God so great, he himself being so small. The first time he could not answer happened while staged on the alter. Standing, the flock kneeling before him, his hands just flaked away and his shoulders bolted across the room, fixed to the walls, lead beams bearing the full pull of the Earth, such that he surely could never handle the wine again, or the bread again, the blood and the body. Then his soul bled itself and scarred down the middle at exactly the moment when two other souls should have been joined in matrimony. Weeks later, his eyes froze, their last tears icing the mummy's silence on his lips, so that he could offer no comfort to the dying. And, now? He could no longer forgive, because all was forgiven. Now he could only, need only, give thanks!

When a marriage is legitimate

In Care of the Self, the third volume of The History of Sexuality trilogy, Foucault summarizes the history of marriage. Elite pagans married to form alliances of wealth and power; the poor married for economic practicality (i.e., a poor man might marry a poor woman and they, with their family, could support themselves). These marriages needed only the family's blessing. From there, interests of the State and of the Church took root. Marriages became increasingly social and public.

We have a tendency to look to an institution's origins to inform us on resolving contemporary issues.