Framed!

This blog/editorial posted on The Economist web site discusses the framing of current violence in Libya and the subsequent US/UN response. The author argues that the violence is in fact a civil war and not merely a popular uprising; furthermore, the implication of this, he writes, is that the US/UN intervention is the deciding of a civil war and not an attempt to protect innocents from violence. The latter, however, is how the media and US government have portrayed the matter.

But when the author guesses the media's motivations for framing events as such, I can't tell if he's being sincere or sarcastic. Probably the former, I'm afraid.

The Economist blog/editorial: http://www.economist.com/blogs/democracyinamerica/2011/03/rhetoric_intervention

Two documentaries, one with humanity

Recently watched Grizzly Man directed by Werner Herzog. Along with filmed interviews of people in and around the action, Herzog uses footage shot by Timothy Treadwell during the thirteen seasons he lived amongst wild grizzly bears in Alaska. We are shown that Treadwell is a troubled man; we see him cuddling a fox in one scene, awestruck by bear dung in the next, and later we see him in a tent, cursing God in Heaven for the drought. This film works for me.

I was especially interested in hearing Herzog's reflections--he has a quiet infatuation with Treadwell and his footage. Throughout the film, Herzog's voice-over describes the story as he sees it. And he sees a great deal.

Treadwell gained measurable fame by living with the bears, and now he has become immortal largely because he died with them when one ate him in 2003.

I enjoyed this documentary much more than I did The Parking Lot Movie. The latter gives voice to the various attendants working in a busy college town parking lot. There is a two-way street of dehumanization traveled by these drivers and the attendants.

Making sense of being more punk than you

Grant Hill penned a fascinating response to Jalen Rose's controversial comment heard in The Fab Five, a new ESPN documentary about the very talented and successful University of Michigan men's basketball team of the early 1990's. That team, which included Rose, were then and now noted for introducing the game to hip-hop's edge. They were all young, black men who could play, and who could look good and talk trash while doing it.

In the film, Rose charges that Duke recruited "Uncle Toms". Hill, having played for Duke against Michigan, justifiably feels his blackness challenged. In this reply, Hill infers that his middle-class (probably upper-middle) upbringing by two educated parents is the reason for the insult, and the reason Rose doesn't immediately include him in the society of "real" blacks.

In his defense, Hill briefly chronicles a trend of upward mobility in his family, sharing a generational rags to riches story. He notes that Henry, his middle name, is a family name; he shares one of his mother's sayings; he names a family heirloom; and he thanks an African American History professor he studied under. In other words, Blackness, to Hill, is found not only in struggle, but in the fruits of struggle. There is transference. Hill calls this "tradition".

I'll take great liberty here and assume and summarize Rose's argument. For Rose, his single-parent childhood in Detroit matters. Blackness in part comes from living the struggle. First hand experience matters. That experience is a uniquely Black experience (i.e., growing up poor and White with one parent in Detroit is not the same).

For Hill, Blacks rising out of poverty for their children's betterment is the tradition. For Rose, living in poverty--maybe even staying in poverty--is the tradition.

Hill also defends Duke, claiming their interest lies in finding and shaping excellence. He names other Black Duke players, enlisting them in his defense. Finally he stakes a claim on character. Up to this point, I found Hill's response brilliant, a rhetorical achievement. But, in discussing character, I can't help but wonder if he is implying that people often mistake "acting Black" for lacking character. He might as well call the Fab Five knappy-headed thugs.

The New York Times published Grant's response March 16, 2011:
http://thequad.blogs.nytimes.com/2011/03/16/grant-hills-response-to-jalen-rose/

Corporate Jabs

Did not enjoy reading Company by Max Barry. Jones, the protagonist, a young, recent grad entering the corporate world, soon finds himself smack dab in the middle of a conspiracy and class struggle in which competing values come to blows.  Jones looks for meaning and finds temptation. But Barry does not explore temptation, and his narrative is predictable, the characters are flimsy, and his humor isn't funny.

Perhaps of interest is the author's treatment of the lowly assistants, those chafing in their entry-level positions, gophering in and around cubicles in service of their masters: Middle and upper management. While the workers are, for the most part, the good guys in this struggle, they are so primarily by virtue of being the unwitting victims in this game. They aren't noble people, likable on their own merits; they are fearful, cowardly, weak. But they are also beaten down, leaving you to wonder if they could do better given the right opportunities.

Talking about conversation

This week's Washington Post article "Rep. Peter King's Muslim hearings: A key moment in an angry conversation" shows an example of news creating news. Such articles argue a point, create information, and fabricate historical record. This is big media's privilege, done in service of privilege.

There is something particularly egregious about this article, too. Offering a slight elaboration on their bizarre headline, authors Farenthold and Boorstein offer this:

On Thursday, the discussion about Muslims' place--and Muslims' obligations--in American society will move to Capitol Hill. The hearing, called by Rep. Peter T. King (R-N.Y.), could be a key moment in one of the country's angriest conversations.

Who is having this angry conversation? Not me. Not most people. And, of those who are regularly discussing the place and "obligations" of Muslims, only a fraction of them have it angrily. But the article goes on:

Public opinion about Muslims hasn't changed much in recent years. In the fall, a Washington Post-ABC News poll asked whether mainstream Islam "encourages violence." Among all respondents, 31 percent said yes, slightly less than the recent high of 34 percent in 2003.

What's different now is the tone of the discussion--in Congress and across the country.

As evidence, the article cites comments made by Representative King, as well as a "string of incidents"--which means two incidents within eighteen months--and an increase in arrests of "violent jihad suspects from May 2009 to November 2010".

This is a non-issue made into an issue. To my mind, the real story here is the rhetorical social and political function of articles like this and hearings such as King's. They get people talking about terrorism again. And at a time when politicians want to cut spending on public pay and services, and on the same day a mass of public workers in Wisconsin are stripped of bargaining rights, terror talk helps keep defense cuts off the table, and public attention directed towards a meaningless sideshow.

The Post article: http://www.washingtonpost.com/wp-dyn/content/article/2011/03/09/AR2011030905750.html

Speech Act

In Snyder vs. Phelps the Supreme Court ruled 8-1 in favor of Westboro Baptist Church members' right to protest at a military funeral. In this case, "at" means something like 1,000 yards away and possibly in accordance with other locally devised and enforced rules. The issue was evaluated by the Justices in terms of  free speech, and whether the speech was injurious or injury was only the fallout.

I agree with the majority. The protesters intended to hijack one rhetorical situation--a military funeral--and introduce a second rhetorical situation in which state policy is the target. They did not silence or prevent the funeral. And while their speech act insults the mourners, the inflammatory signage is tactical first and foremost.

The policy under attack concerns gays serving in the military. The soldier being buried was not a homosexual. What if he had been? Could the protesters' intent to injure then be more easily argued?

This American Life

This week I was surprised to read Senator Jim DeMint's op-ed about defunding NPR. I like some of the podcasts and shows from NPR and PRI but their news I can barely stomach. Anyhow, DeMint sums up his argument against continued funding:

Public broadcasting can pay its presidents half-million and million dollar salaries. Its children's programs are making hundreds of millions in sales. Liberal financiers are willing to write million-dollar checks to help these organizations. There's no reason taxpayers need to subsidize them anymore.

Fortunately or unfortunately taxpayers subsidize many other fairly successful industries, which probably includes tobacco grown in DeMint's South Carolina. Moreover, his argument implies that the wealthy neither need nor deserve assistance--this is an argument DeMint probably does not want to extend to other areas of policy, such as taxes.

DeMint's Op-ed: http://online.wsj.com/article/SB10001424052748703559604576176663789314074.html

White Line Fever

Finished reading White Line Fever, Lemmy Kilmister's autobiography. I never worked Motorhead into my music collection but the book and musician's personality seemed promising. Too bad, because the prose is conversational but colorless, the stories, dull. Not to mention there were no themes, clever insights, or juicy gossip about other bands. The best autobiographies I've read to date include those by Larry Hagman and Miles Davis.

I've started the next book--Company by Max Barry. Early in that book the narrator says there is something wrong with you if you are a salesman. Lemmy wrote that there is something wrong with you if you play guitar. He, of course, plays bass.

Alienation to alienated

When reading Madness & Civilization, know that a lot of people considered normal today would have been diagnosed mad in previous centuries. For example, Foucault spends a great deal of time discussing melancholics, known today as people suffering from depression.

Anyway, finished reading Madness & Civilization. The closing of chapter IX, "The Birth of the Asylum", includes this wonderful sentence--the parentheticals are mine:

He (Freud) did deliver the patient from the existence of the asylum within which his "liberators" had alienated him; but he did not deliver him from what was essential in this existence; he regrouped its (the asylum's) powers, extended them to the maximum by uniting them in the doctor's hands; he created the psychoanalytical situation where, by an inspired short-circuit, alienation becomes disalienating because, in the doctor, it becomes a subject.1

Here, I think Foucault is saying something like this: The structures and practices of the asylum gave doctors moral authority over the mad; doctors objectified the mad in those asylums, thereby alienating them, making them outsiders in the real world of reason. But once patient care fell to psychiatry--most notably with Sigmund Freud--doctors' authority transferred from those structures to the personage of the doctor. The doctor then exercised his authority in the psychiatrist's office. There, the alienation that was, in the asylum, only a side effect of being the anomaly became itself a neurosis to be studied and speculated on.

Pure rad.

His arguments probably don't play well when taken in pieces like this, but one can see how rich the content of his writing is. I could spend three days unpacking this one sentence and still not feel the thing fully fleshed out.

I think the prevailing opinion is that Foucault was not much of a writer. I disagree, although I have only translations to judge by.

1"Madness & Civilization" by Michel Foucault

You say you got a real solution

Sifting daily through headlines, the word "revolution" seems to be missing from Middle East political coverage. I see "unrest", "protests", "riots", and "demonstrations", but not "revolution". When the public rises against state authority, seeking to replace autocracy and plutocracy with democracy, it’s popular revolution.

Power seeks to avoid using this word if it doesn’t suit them. Many facts and arguments are missing from Middle Eastern political coverage, and the word “revolution” is just a drop in the bucket.

Our National Tone

Following up on the shooting that killed six people and wounded thirteen others, yesterday the University of Arizona opened the National Institute for Civil Discourse. Civil discourse: We heard these words again and again in the days after the shooting; the President said them at the January memorial speech at the University: "And if, as has been discussed in recent days, their death helps usher in more civility in our public discourse ... "

So these words are what politicians and news media grabbed hold of immediately after this political event. A line from this Reuters article retells the story pretty well: "The rampage renewed ... soul searching over whether the vitriolic tone of U.S. politics had encouraged violence against elected officials." So it is the tone in which words are said that is to be evaluated. The words themselves we can take at face value. This is the silent conclusion to this public dialog on What Caused the Violence in Arizona.

-Remarks by the President at a Memorial Service for the Victims of the Shooting in Tucson, Arizona: http://www.whitehouse.gov/the-press-office/2011/01/12/remarks-president-barack-obama-memorial-service-victims-shooting-tucson
-Arizona university founds civility institute, 02/21/2011: http://www.reuters.com/article/2011/02/21/us-shooting-university-idUSTRE71K67K20110221

Quick Thrill

If I had to choose one by Foucault, I'd take Discipline and Punish: The Birth of the Prison over his more noted Madness and Civilization. I seek the same kind of satisfaction from both, but they are very different in approach and style.

Now over two-thirds into the book, this week I read chapter VII, "The Great Fear". Heading into the 1800's, Foucault here describes how the public imagination began to see madness as "the strange contradiction of human appetites: the complicity of desire and murder, of cruelty and the longing to suffer, of sovereignty and slavery, insult and humiliation". This conception inspired both fear and attraction to the mad and to the houses in which they dwell.

And still every Halloween people flock to haunted houses in search of a thrill.

Diplomatic Puzzle

Today, a selection from the February 17, 2011 New York Times article "Unrest in Bahrain Presents Diplomatic Puzzle for Obama":

For the second time in two weeks violence has broken out in a restive Arab ally of the United States, confronting the Obama administration with the question of how harshly to condemn a friendly leader who is resisting street protests against his government ... At least five people were killed early Thursday when heavily armed riot police officers fired shotguns and concussion grenades into a crowd ...

... What the administration does with Bahrain is likely to be a telling indicator of how it will deal with the balance between protecting its strategic interests, and promoting democracy — a balance some critics said it never properly struck in its sometimes awkward response to the Egyptian turmoil. What will make this diplomatic maneuvering even more complicated is Bahrain’s proximity to Saudi Arabia, another Sunni monarchy with even greater strategic value to the United States.
 - http://www.nytimes.com/2011/02/18/world/middleeast/18diplomacy.html

I would suggest that the dilemma, as stated in bold above, suggests that the government always chooses one, and if the other follows, then bully for us.

* The above cited article was expanded later that day under the title "Bahrain Turmoil Poses Fresh Test for White House", available here: http://www.nytimes.com/2011/02/18/world/middleeast/18bahrain.html

Love Liza

The film Love Liza depicts the struggles of a new widower, his name is Wilson, played flawlessly by Phillip Seymour Hoffman. Watching, I wondered if the film's use of comedy was aimed at emotionally rattling viewers. By letting me voyeuristically watch Wilson's most vulnerable moments, the film made me vigilantly aware of his intense loss, sadness, and isolation. But in and between tragic scenes, I often found myself laughing. The laughing always felt inappropriate, and quickly gave way to the uneasy silence after the laugh. Uneasy silence and inappropriateness are two grand understatements of what I imagine Wilson felt: This feels wrong, I feel wrong, I should not be feeling this. The film has one pivotal scene that speaks to this interpretation: In it, Wilson is seated with co-workers at the office where he works, and one co-worker is sharing an anecdote. A few co-workers chuckle when she finishes, but then Wilson lets go a long, uninterrupted laugh that continues after his tense co-workers have silently excused themselves. It is a laugh over a cry. Love Liza very powerfully relates that feeling and mania.

Moral Charge

"The Great Confinement", the first chapter of Michael Foucault’s Madness and Civilization, traces early reactions to a set of people, including the mad, whose common condition was idleness. His tracing includes a discussion of the role of Europe’s churches; with the aid of the Church, houses of confinement, which frequently doubled as work houses (sources of cheap labor), had a moral charge to assign labor and condemn the idle. Armed with a moral charge, they operated without oversight, without checks on their power, without critical analysis of their judgments because they had the faith of the state. Idleness was a sin, the reasoning went; because of Original Sin men were condemned to labor forever, Earth being no longer a paradise fit to sustain him without aid of his toils.

Recently I attended church and heard this Gospel:

Mt 5:13-16
Jesus said to his disciples, “You are the salt of the earth. But if salt has lost its strength, how can it be made salty again? It has become useless. It can only be thrown away and people will trample on it.

“You are the light of the world. A city built on a mountain cannot be hidden. No one lights a lamp and covers it; instead it is put on a lampstand, where it gives light to everyone in the house. In the same way your light must shine before others, so that they may see the good you do and praise your Father in heaven."

Dallas Snow & Ice

 

 

Pronouns and Self-deprivation

Finished Joshua Ferris' Then We Came to the End, the author's first published and popular work. While reading, I focused on how Ferris' speaker uses the pronoun "we" to tell the story. The story is about what happens during a few weeks of downsizing at a Chicago ad agency, and its faceless voice is both a member and anonymous witness to this shrinking peer group of professionals.

I also noticed the speaker frequently recognizes as trivial the obsessions and concerns of this group--what he relates as the petty disputes and insignificant interests of an over-privileged sect. Ferris' storyteller is, naturally, one of these self-professed overpaid, over-insured professionals.

The element of self-deprecation made the characters somewhat more endearing. But, as the reader, it also left me unsure of where exactly I fit in: Have I been petty and undeserving, too? At the novel's conclusion, the reader is addressed as a member of the pseudo-saga, one of the group, the in-crowd.

The use of "we" and element of self-deprecation at first don't feel like pivotal elements to the storytelling. But they are for two reasons.

First, the self-deprecation starts off sounding a tad insincere, maybe, but eventually it feels obligatory, as if by rote. So I'm left with the feeling that this group, who are representatives of a generation, have been judged, and that the verdict on these people is that their predilections are trivial, a primary element of their zeitgeist, and that this is a real failing, comparatively speaking. So, it is a cultural truth that these people are undeserving overachievers. This truth is, to my mind, a real idea we have about the succession of generations in this country.

Second, this use of "we" and constant self-deprecation also allows the reader to excuse himself as he becomes engrossed by the story's "trivial" action. Perhaps it even affords him the tools to be engrossed. Points for that.

Extra! Extra!

A number of voices call for the legal prosecution of Julian Assange. The permissibility of prosecution on the charge of Espionage hinges at least in part on the question, Is he a journalist? The answer matters because journalistic status summons the Freedom of the Press argument--possibly in addition to other professional protections--and it heightens the claim to Freedom of Speech. Of course, even if he is a journalist, these protections could be turned away in the name of national security or some other interest.

The matter of whether Assange is a journalist of course denotes the larger question, What is journalism? New media and what's called Citizen Journalism force us to re-evaluate the word. We have taken the definition for granted because our immediate, albeit vague, assumptions seemed to provide us clues, if not the answer: Journalism involves print written by reporters employed by businesses whose job it is to sell news and advertising; furthermore, to state slightly less explicit assumptions, reporters are professionals employed by institutions with the authority to confer job titles, thereby defining a class of people with privileges and protections beyond those of Citizen X. To many minds, no longer are these assumptions clear.

But without a traditional institution behind Assange, his status as a journalist is immediately cast in to doubt in other minds; I would image that to these people, his claim to be a journalist is as legitimate a one as a woman’s to be a homemaker. Which is to say, it isn’t, really.

Dystopia

A few thoughts on George Orwell's 1984:

During the "2 Minutes Hate" citizens of Oceania are prompted to scream, spit, and hurl insults as the words and face of The Party's enemy, Emmanuel Goldstein, play on the telescreen. If they were attending a town hall meeting, they would be the ones shouting people down.

I especially like the part in which orthodoxy is described as unthinking. Only orthodox views can be expressed in a sound byte. Anything else would require elaboration, arguments, and examples.

Other things I like:
(1) How Winston is captivated by purposelessness.
(2) How sex was, for Winston and Julia, at first a political act. Then emotions enter into it. That it became emotional, that Winston and Julia soon felt a sort of allegiance to each other--an allegiance only broken through extreme torture--was, I gather, the inevitable infusion of humanity, according to Orwell.

Who Done It?

The Long Goodbye by Raymond Chandler: I read this late December, early January. It was OK. The social commentary surprised me, that it was in there and so biting.